System (Of A) Down

The first instalment of a projected two-album set, Mezmerize sees System Of A Down, an American band of mostly Armenian heritage, further distilling their unique formula of thrash metal, socio-political rage, and Eastern European vocal melody into ever-more fiendishly complicated and white-knuckle exhilarating forms. Moreso even than 2001's Toxicity, this is a album of intense complexity: crammed with whiplash-inducing tempo-changes and a schizophrenic mood that sees sing-a-long, poppy choruses segued effortlessly into breakneck speed-metal, it's as bewildering on first listen as it is addictive after three.

Like Rage Against The Machine, SOAD are a fiercely moral band, but they never let their message stagnate through po-faced delivery: see, for instance, "Cigaro"--ostensibly a song about abuse of power, but one which opens with frontman Serj Tankian yelping "My cock is much bigger than yours!" Musically, too, they're not without an occasional lightness of touch: see the excellent "Radio/Video", riding along on a bouncy ska rhythm. But it's perhaps inevitable that Mezmerize should climax on a note of epic disgust, in the shape of "Old School Hollywood" and "Lost in Hollywood" – two songs that rage against the glossy materialism of their Los Angeles hometown, taking down a regiment of Z-list celebrities and "maggots smoking fags on Santa Monica boulevard" in a firestorm of righteous fury. --Louis Pattison

-What Louis is/isn't trying to say here is, while SOAD may look like they just tried to fly a plane into the twin towers, they make glorious rock and roll music to be played at only the highest of volumes. I remember the legendary Sixth Form days where we used to play Chop Suey and get our rock on, or Joe Gayton did anyway, I just watched.

Note: In no way does King-Shough think SOAD look like terrorists, it was just a joke, a racist stupid joke. See you in court!